Price: $85.00. 11" x 13-1/2" ISBN 978-0-9790597-0-4. 190 pages featuring 109 black-and-white duotone photographs. Includes an 11"x 46" fold-out panorama of the Biafo Glacier and maps to introduce the separate portfolios.
Hanson's photography and essay transport us directly to the valleys, glaciers and high passes
that he encountered on his travels, accompanied by his simple camera, local guides, and a
commitment to explore the mountains sublime. For Hanson, and others who revere them, the
Himalayas remain a lasting emblem of man's ultimate challenge. Join him on these visual,
spiritual and scientific treks'enter into this journey of the imagination.
Kenneth Hansons' interest in landscape photography derives from his boyhood association
with the English Lake District. The shore was a few minutes from his home, the Pennine Moors
were to the east and the horizon was a profile of the Lakeland Mountains. In Hanson's boyhood
the Himalayas were a part of local legend and a place of symbolic exploration and the substance
of dreams.
The author's journey of the imagination would only be made real some 40 years later, when
he embarked on his first trip to the Himalayas. At age 76, he has since weathered a dozen
trips to the region. After every journey, he has chronicled the history of the locations
visited, the photographic techniques employed, and the stories of the native peoples and
master climbers he has journeyed with along the way. In other travels, he has photographed
areas of New England, the California Sierra, India, and the region of limestone escarpments in
England close to his boyhood home.
Throughout these visual explorations, Hanson has relied on a basic 4x5 Toyo view-camera
mounted on a sturdy wooden tripod. The stunning, self-developed results have appeared in juried
and invitational shows, in solo exhibits and in the Himalayan Research Bulletin (now Himalaya).
He is a member of the Silvermine Guild of Artists. Hanson's preference for a large-format camera
that lends itself to clarity and directness of statement relates to his former career as a
scientist. Prior to 1991, he was Senior Research Biochemist at the Connecticut Agricultural
Experiment Station.
The photographs were taken on twelve Himalayan trips between 1986 and 2005 using an old fashioned
4x5 Toyo view camera mounted on a sturdy wooden tripod. Forward by Greg Mortenson, co-author
of the New York Times best seller, Three Cups of Tea, One Man's Mission to Promote Peace
One School at a Time, and founder of the nonprofit Central Asia Institute. Mortenson
says Ken Hanson's photographs "bring joy down from the mountains".
The book includes an essay that examines the place of photography in the Himalayan experience.
The essay is concerned with the presence of Himalayan Buddhism, the evolution of
mountaineering and with the mountain sublime. The Himalayas are an emblem of the
ultimate challenge and the final passage between life and death. Doug Chabot has provided a
forward to the essay that describes the ideals of alpine-style mountaineering.
From Ken's sister-in-law:
I have just received the books and only begun to explore mine. I am overcome with emotion. I can't quit crying.
From Steve Baron:
Congratulations are in order. I think you should be very proud for many reasons.
Here is my professional analysis to date: Good title. Good gray on the jacket, and very nice, very conservative design. Good black and gray ink colors. Nice paper; I'm trusting the wave will disappear in a week or two. Nice application of ink to paper. Surprise gatefold. The pictures work, nice, evocative. They get to me. Wish I could go there -- any of the places. Its still a remarkable world we live in (or live outside of.) Looking forward to a bit of time for more thorough look.
From Doug Nygren : (Images committee)
Thank you for dropping off your book yesterday. I've started to go through it. It's soooo wonderful. I haven't made it all the way through yet looking at the photos let alone reading the copy--my wife commanded it from me this morning--but what I've seen is impressive. It makes me want to go to there. I liked the way you put maps in the book. I like the diversity of the photos. I know how well you print. You are a superb printer who makes his photos glow. I think your publishing company did your printing well. They kept the glow in your work.
Ken, this is such a great collection of photos. I'm glad you did this project both for yourself and for those of us who like photography and value you and your work.